hirokazu-kore-eda

Terra do Sol Nascente

O Japão melancólico e obscuro do diretor de "Assunto de Família", indicado ao Oscar

The New York Times
DIRECTOR-RICH-ART-LSPRHirokazu Kore-eda, whose latest film, “Shoplifters,” has been a critical success and box office hit, at his office in Tokyo, Jan. 21, 2019. Kore-eda sees his films as an implicit criticism of modern Japan, tackling themes of isolation and social invisibility, as well as the numbing of souls that can come with professional success. (Noriko Hayashi/The New York Times)Editoria: ILocal: TOKYOIndexador: NORIKO HAYASHIFonte: NYTNSFotógrafo: STR
Japanese director Hirokazu Kore-Eda (R) poses on stage with Australian actress and President of the Jury Cate Blanchett after he was awarded with the Palme dOr for the film Shoplifters (Manbiki Kazoku) on May 19, 2018 during the closing ceremony of the 71st edition of the Cannes Film Festival in Cannes, southern France. / AFP PHOTO / Alberto PIZZOLI
CANNES

"Shoplifters", do japonês Kore-Eda, ganha Palma de Ouro em Cannes

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